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THE IDEA OF MARIMBA MALLETS

THE IDEA OF MARIMBA MALLETS

ORIGINS, FUNCTION IN TECHNOLOGICAL AND SONORIC PERFORMANCE,

MANUFACTURING DIFFERENCES AND QUALITY

Scriptie voorgelegd tanto het verkrijgen van para graad truck Master in de Muziek: MARIMBA

THE CONCEPT OF MARIMBA MALLETS

ORIGINS, FUNCTION IN TECHNOLOGICAL AND SONORIC PERFORMANCE,

PRODUCTION DIFFERENCES AND QUALITY

Scriptie voorgelegd tot het verkrijgen van de graad truck Master in de Muziek: MARIMBA

ACKNOWLEDGEMENTS

I communicate my honest appreciation to Robert Palomeque and Adilia Yip because of their willingness to aid me to find sources pictures about Mexican and Africa marimba mallets. Appreciation pertaining to the users of my personal committee, Ludwig Albert and Eugeen Schreurs, for their suggestions and comments. Special because of my mom, family and friends for continuous support.

ii

DESK OF CONTENTS

ACKNOWLEDGEMENTS............................................................................................................................... 2 LIST OF NUMBERS........................................................................................................................................... iv INTRODUCTION.............................................................................................................................................. 1 SECTION I: CLASSIFICATION AND BASIC DESCRIPTION OF MARIMBA MALLETS................. 2 I actually. 1 . The marimba.......................................................................................................................................... a couple of I. 2 . The mallet............................................................................................................................................... 3 I. 3. Structure of mallet................................................................................................................................. 3 We. 4. Shaft material......................................................................................................................................... some I. 4. 1 . Birch............................................................................................................................................ 4 I actually. 4. 2 . Rattan......................................................................................................................................... 5 I. your five. Shaft size and length..................................................................................................................... 4 I. 6. Head anatomy........................................................................................................................................ 5 I. 6. 1 . Primary............................................................................................................................................. 4 I. 6. 2 . Yarn............................................................................................................................................ a few I. six. Mallet head and sound quality............................................................................................................. 5 I actually. 7. 1 Graduated mallets...................................................................................................................... 5 I. 7. 2 Multi-timbral mallets................................................................................................................. 5

CHAPTER II: FEATURES OF THE MARIMBA AND MARIMBA MALLETS FOUND IN AFRICA AND MEXICO TO GET TRADITIONAL MUSIC............................................. 6 2. 1 . The african continent....................................................................................................................................................... 6 II. 1 . 1 . The African Balafon................................................................................................................... 6 II. 1 . 2 . The Balafon Mallets...

Bibliography: ALY, K., Le Balafon, Improduction, France, 2008, DVD.

Feb. 2011).

GERT, K., Balafon, (http://www.gert-kilian.com/en/balafonen.html, seen 06 Interest. 2011).

Impressive Percussion, (www.innovativepercussion.com, accessed upon 15 Drive 2011).

Kesseke Yeo Biography (http://masabo-fana-soro.blogspot.com, Reached 6 Interest. 2011).

NEBOJSA, Z., Performs Comments, (http://www.zivkovic.de/p-notes.htm,

accessed upon 19 03 2011).

NEBOJSA, Z., Mallets (http://www.zivkovic.de/mallets.htm, seen on 19 March 2011).

NICHOLE, H., Expanded Plan Notes Via a Graduate Recital Performed, Indiana,

2010, p

SARA, S., The Development of the Marimba as a Solitary Instrument plus the Evolution from the

Solo Literature for the Marimba, The Ohio Condition University, 1995.

accessed in 1 Mar. 2011).

02.08.2019

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